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COMMENT: I know that by using the term "Freehand", I have opted for the easy way out, but I believe there are too many freehand touches to allow for the reliable use of a standard term. Having said that, I have to admit that the bowl bears resemblance to the classic Dublin, but, again, the buck stops there and the similarities are not in any way, shape, or form dominant. What I have also admired about pipe with the plateau top is that they manage to stand in so much contrast with the smooth, natural finish; in these case, both the ruggedness of the plateau top and the refined, smooth surface of the rest of the pipe attest the natural of the material. This pipe is the epitome of what I'm saying here. I love the visual and tactile effect of the combination of plateau and the smooth surface of the rest of the pipe. Another important fact is that the edges of the natural plateau have played an important and spontaneous role in the shaping of the pipe; indeed, if you look at the top rim and top from the side of the pipe, you see how that part has been dictated by the natural shape of the material. The grain is nothing short of magnificent, and the way it is around the bowl is the way it is around the shank, which is always a fabulous feature. Posella decided to add this massive shank extension of boxwood, preceded by a thin black, acrylic insert. All this is then followed by a short, saddle mouthpiece. In spite of the relatively large size of the pipe, the thickness of the wood, and the weight, the pipe feels so well-balanced in the hand, and I'm sure it'll be equally balanced when clench on. |
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